My well thought out plan in getting to St Brides early fell on its ear when
- I got lost leaving my building
- Holborn was exit only
- it 9.18am and I have to catch 2 buses to Fleet St by 9.30am
You can see what sort of day I thought it might turn into. However, despite it all, I was not very tardy. Here is the entrance to St Brides Institute.
The printing workshop is filled with historical printing presses and tools, and in many ways their significance is lost on me; I am sure Australian printmakers Dianne Fogwell and Caren Florence would be far more appreciative than me. Let’s have a little look at what’s inside:
On to today’s topic: a day with Amy Worthen.
The day was dedicated to the histories of engraved plates and of etched plates, giving us the tools and basic understanding to identify and differentiate between the two techniques.
Her enthusiasm was catching and she was very generous with the information she offered. You could tell she had a lot of experience. It just emanated from her.
There was a set reading list to compliment this session. The sessions, though generalised, took us on a well rounded journey. There were many historical examples on the slides. I didn’t actually take many notes; I will probably explore the readings at some later date. She explained about the different cutting techniques and how the depth of the cut could change to strength of the printed line. And since we were in St Bride’s printing room, we could see first hand what tools were used.
Which brings us to the hands-on session in the afternoon. Amy demonstrated how to hold the burin, and how to cut a line on a copper plate. “It’s like cutting butter” she said.
Seeing the ease with which she made her marks in the plate, and little swirls of copper that grew from her cuts, one would swear it was indeed as soft as butter.
Well, let me tell you that a copper plate is not as soft as butter. We all had a hand at making lines, and the hardest part for each of us was to maintain the correct posture; we needed to us our bodies, not have our wrists or shoulders at strange angles. She helped each one of us. However, just as in tango or bookbinding learning, once you have the acquired muscle memory, the copper plate would be nothing but butter.
Our main aim for the day was to print an etched plate. Mindy had come from the US with a plate her grand-father has etched, so she set about taking an impression from it.
We didn’t even get dirty, even though we each had a go at using the brayers to apply ink to the plate’s surface. We scrimmed and palmed the plate. Here you can see Richard Lawrence, St Bride’s print workshop keeper, helping us.
The hands-on proved to be the best part of the day for most of us, bringing a better understanding of the morning’s discussion.
And here are some of the results.
That’s it for now. See you tomorrow.